Electroacoustic
Dear God, I Think It's Time We Talked (2024) for sopranos, hyperorgan, and spatialised soundscape. Performed by Marije Besselink, Frieda Gustavs, Frances Amado, and Elisabeth Hubmann at Het Orgelpark, Amsterdam.
This is a teaser. For the whole video, click here.
The Walls and The Windows (2023) for alto flute, clarinet, piano, toy piano, cello, typist, and spatialised soundscape. Performed by the National Sawdust Ensemble at National Sawdust, New York.
40 Ways of Being (a Woman) (2022) for soprano, cello, organ, and spatialised soundscape. Performed by Viola Blache, Wilma Pistorius, and Elisabeth Hubmann, as part of the Grachtenfestival at Oosterkerk, Amsterdam.
This is a teaser. For the whole video, click here.
Chamber Music
Crime and Punishment (2019) for string quartet. Performed by the Blink Quartet at the Oude Kerk, Amsterdam.
Aion (2022) for alto flute, bass clarinet, percussion, harp, and violin. Performed by Ensemble Offspring.
Video Art and Installations
Through the Looking Glass (2020) for soprano and ambisonic soundscape. Video by Pablo Réol and Octave Rimbert-Rivière, recorded by Viola Blache (voice), Juho Myllylä (recorders), and Sebastien Mitra (harpsichord).
